Apogee Ensemble
Apogee

Ensemble

30 IN x 34 OUT Thunderbolt™ 2 Audio Interface for Mac
Product Highlights
  • 8 Mic preamps with up to 75 dB of gain and Advanced Stepped Gain circuit
  • Legendary Apogee AD/DA conversion
  • Thunderbolt connectivity for ultra-low latency (1.1ms round trip with Logic Pro X)
  • Front panel Guitar I/O with Class A JFET inputs, dual mode re-amp outputs
  • Talkback functionality with built-in mic and control button
  • 2 PurePower headphone outputs
  • 10 separately assignable analog inputs
  • 16 analog outputs of premium Apogee conversion
  • Core Audio optimized DMA engine frees up Mac CPU for plugins and software instruments
  • Apogee Control software offers highly customizable workflow and Essentials Control Strip window
  • Compatible with Apogee Control hardware remote studio controller
  • Connect two Ensembles to your Mac and double your analog inputs and outputs
  • Connect any Apogee Element series interface to Ensemble for additional Ensemble quality inputs and outputs

  • Overview
  • Tech Specs

Ensemble Thunderbolt™ is the best sounding all-in-one audio recording interface for Mac. With ultra-low latency performance, comprehensive studio functionality and legendary Apogee quality, Ensemble is the ideal choice to meet the diverse demands of the professional home or commercial studio. Ensemble features premium Apogee AD/DA conversion, 8 Advanced Stepped Gain™ mic preamps, monitor controller functionality including talkback, front panel Guitar I/O, two headphone outputs and digital connectivity for a total of 30 x 34 I/O.

Front Panel Guitar I/O with Class A Input and Re-amping
2 front panel Guitar I/O channels with class A JFET inputs and dual mode re-amp outputs capture pristine direct signals and make re-amping effortless.

Ultra-low Latency and Advanced CPU Efficiency
At 1.1ms, Ensemble’s Thunderbolt driver offers the lowest round-trip latency performance available. And Ensemble’s revolutionary DMA engine provides incredible CPU efficiency allowing you to leverage the full power of your Mac and native plugins.

Creative User Interface and Monitor Control
Ensemble’s groundbreaking front panel marks the evolution of Apogee’s simplified user interface, featuring total monitor control and a built-in mic for talkback.

Measurably Superior AD/DA Conversion and Mic Preamps
Ensemble’s AD/DA conversion and microphone preamps are modeled after Apogee’s flagship Symphony I/O, with sound quality a step up from the award-winning Duet and Quartet.

Inputs & Outputs

Guitar I/O
Directly connect your guitars & other instruments to Ensemble using the 2 front panel ¼” inputs.

8 Analog Inputs
Connect up to 8 microphones or a combination of instruments, external mic preamps, and other analog audio devices.

10 Analog Outputs
2 balanced monitor outputs on ¼” TRS connectors & 8 balanced line outputs on 1 D-Sub 25-pin connector.

2 headphone outputs
Drive 2 sets of high impedance headphones louder than you’ll ever need.

Built-in Microphone + Talkback
nstantly capture your inspirations, keep an audio archive of the session, or record a “crushed room” sound when tracking drums. Most importantly, the built-in mic may be used for talkback.

2 Analog Inserts
Easily integrate your favorite analog compressor or EQ, in mono or as a stereo pair, into your recording chain with separate ¼” balanced send and return connector for each channel.

Digital I/O
Up to 18 channels of digital I/O, in ADAT, SMUX, S/PDIF optical and S/PDIF coaxial formats, to easily integrate expanders, hardware synths and digital effects.

Word Clock
Use Ensemble as the master clock to take advantage of Apogee’s superior built-in clocking technology.

Analog Inputs
4 Combi mic/line/instrument inputs
4 XLR mic/line inputs
2 1/4″ hi-z guitar/instrument inputs with Class-A JFET input stage
Digital Inputs
Optical IN Supports ADAT, SMUX & S/PDIF
  • ADAT: 16 channels 44.1-48 kHz on 2 Toslink connectors
  • SMUX: 8 channels 88.2-96 kHz on 2 Toslink connectors
  • S/PDIF: 4 channels, up to 96 kHz on 2 Toslink connectors
Coax IN 2 channels of S/PDIF, up to 192 kHz on 1 RCA connector
Word clock input on BNC connector
Built-in Microphone
Mono omnidirectional condensor capsule on front panel
Mic Preamps
Mic Preamps 8
Gain Up to 75 dB and advanced stepped gain circuit design
Phantom Power Selectable 48v phantom power, hi-pass filter, Soft Limit ̈ and polarity invert
EIN 129dB (un-weighted) @ 60dB, 150Ohm input
Max input level +20dBu
Input impedance 3K Ohm
Hi-Z
Max input level 14 dBu
Input impedance >2MOhm
Analog Outputs
Analog Outputs 2 1/4″ balanced monitor outputs
8 balanced outputs on 1 DSUB 25-pin connector
2 independent 1/4″ stereo headphone outputs
2 1/4″ dual-mode guitar/instrument outputs
Digital Outputs
Optical OUT Supports ADAT, SMUX & S/PDIF
  • ADAT: 16 channels 44.1-48 kHz on 2 Toslink connectors
  • SMUX: 8 channels 88.2-96 kHz on 2 Toslink connectors
  • S/PDIF: 4 channels, up to 96 kHz on 2 Toslink connectors
Coax OUT 2 channels of S/PDIF, up to 192 kHz on 1 RCA connector
Word clock Output on BNC connector
A/D conversion
Max input level (+4dBu ref/Mic) +20dBu
Max input level (-10dBV ref) +6dBV
Input impedance 5KOhm
Freq resp 10 Hz -20Khz > +/-0.2dB (@44.1Khz)
Rel. THD + N -110dB (@ 96Khz)
Dyn. Range 119dB (A-weighted)
D/A conversion
Max output level (+4dBu ref) +20dBu
Max output level (-10dBV ref) +6dBV
Line output impedance 90 Ohm
Freq resp 10Hz -20 Khz > +/- 0.05dB (@44.1Khz)
Rel. THD+N -114dB (@96Khz)
Dyn Range 123dB (A-weighted)
Front panel Guitar Output impedance balanced/max level 14 dBu
Headphone Max output level 19dBu
Headphone Rel THD + N into 600 Ohm -109dB
Headphone Dyn Range 120dB (A-weighted)

General Info
  • Dimensions: 19” X 12.125” X 1.73”
  • Weight: 11.15 lbs.
  • AC IN 100-240V, 50-60 HZ, 65W MAX