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Thypoch is a lens brand that brings classic design thinking to modern mirrorless systems. The full-frame Simera and Simera-C series, the Eureka 50mm f/2 in aluminum and brass bodies, the Ksana 21mm f/3.5 ASPH and the AF Voyager 24-50mm f/2.8 — with manual and autofocus options for Leica M and mirrorless systems.
Thypoch is a lens brand that carries the classic cinema aesthetic to today’s mirrorless photo and video systems. High resolution, natural colour transitions and a distinctive character are the shared signature of every Thypoch optic.
Available through MediaCast — authorised partner, live demos at MCX Istanbul.
Simera is Thypoch’s signature series; it consists of full-frame manual prime lenses at 21mm, 28mm, 35mm, 50mm and 75mm focal lengths, all at f/1.4. It is offered in Leica M as well as Sony E, Nikon Z, Fujifilm X and Canon RF mounts. The Simera-C series carries the same character to the cinema side: a compact full-frame cinema prime set running from 16mm to 75mm, all at T1.5.
The Eureka 50mm f/2 is a collapsible, vintage-style lens made for the Leica M mount — in two editions, a 120g Aluminum and a 218g chrome-plated Brass; it is only 2.7cm long when collapsed, and the series also includes a Eureka 28mm f/2.8. The Ksana 21mm f/3.5 ASPH is a true pancake lens for Leica M at just 27mm long and 131g; a Ksana 35mm f/2 with vintage coating accompanies it in the series. The AF Voyager 24-50mm f/2.8 offers a full-frame autofocus zoom option for the Sony E mount, with an internal zoom mechanism, weather sealing and a 30cm minimum focus distance.
Combining the tradition of craftsmanship with modern optical engineering, Thypoch pursues a timeless aesthetic. MediaCast provides pre-sales advice, product supply and after-delivery support. The lenses can be experienced live at MCX Istanbul in Bomonti.
Simera is Thypoch’s signature series: full-frame manual prime lenses at 21mm, 28mm, 35mm, 50mm and 75mm focal lengths, all at f/1.4. Fourteen to sixteen aperture blades produce a soft, dreamy bokeh; the aperture ring switches between clicked and de-clicked modes. Offered in Leica M, Sony E, Nikon Z, Fujifilm X and Canon RF mounts.
Full-frame manual prime lenses that carry Thypoch’s signature: Simera 21mm f/1.4 ASPH, 28mm f/1.4, 35mm f/1.4, 50mm f/1.4 and 75mm f/1.4. Fourteen to sixteen cinema-grade aperture blades produce a soft bokeh; minimum focus distance is 0.23m at 21mm and 0.45m at 35mm. A fully mechanical build with no electronic contacts combines the tradition of craftsmanship with modern optical engineering in one body.
Simera lenses are offered in Leica M, Sony E, Nikon Z, Fujifilm X and Canon RF mounts. The “Sun” and “Moon” markings on the aperture ring switch between clicked and de-clicked modes; infinity-lock or crescent-shaped focus tab options, a 0.7m tactile resistance point on the focus ring and a retro 1950s-style depth-of-field scale complete the series. You can work out with the MediaCast team which focal length and mount suit your project.
Simera-C is the compact full-frame cinema prime series that carries the Simera character to cinema sets: 16mm, 21mm, 28mm, 35mm, 50mm and 75mm focal lengths, all at T1.5. Thypoch describes the series as the lightest and most compact set of T1.5 high-speed cinema primes available.
Inspired by classic rangefinder designs, Simera-C delivers a neutral, authentic, high-resolution image with a touch of character. Running from 16mm T1.5 to 75mm T1.5, the set works comfortably on gimbals and in tight spaces thanks to its light weight and compactness.
All six focal lengths share the same T1.5 aperture; when you change lenses within a set, exposure and character stay consistent. You can choose the combination that suits your set with the MediaCast team.
The Eureka 50mm f/2 is a collapsible, vintage-style lens made for the Leica M mount: 2.7cm long when collapsed and 4.12cm when extended. Offered in two editions, Aluminum and Brass; the series also includes a Eureka 28mm f/2.8.
The aluminum-alloy edition of the collapsible vintage-style body — just 120g. Made for the Leica M mount, the Eureka shrinks to 2.7cm when collapsed and takes up almost no room in the bag; with an adapter it can even be used on medium-format bodies.
The chrome-plated brass edition of the same collapsible 50mm f/2 optical design — at 218g it feels heavier and more classic in the hand. With materials and texture that reflect the tradition of craftsmanship, it is for those who want the timeless aesthetic in the look of the lens too.
The ultra-light, compact Ksana series, the Ksana 21mm f/3.5 and the Ksana 35mm f/2 with vintage coating, represents the pancake form for Leica M.
A true pancake lens at just 27mm long and 131g. Made for the Leica M mount, the vintage-coated Ksana lets you carry a wide angle without disturbing your body’s silhouette; a Ksana 35mm f/2 accompanies it in the series — an ideal pair for street and travel.
The AF Voyager 24-50mm f/2.8 is Thypoch’s full-frame autofocus zoom option for the Sony E mount.
Thypoch’s full-frame autofocus zoom lens for the Sony E mount: 16 elements in 13 groups, 10 aperture blades, a 67mm filter thread and a weight of about 432g. The internal zoom mechanism keeps the centre of gravity fixed and critical points are weather-sealed; with a quiet, fast autofocus drive, the minimum focus distance is 30cm.
Thypoch’s 4 adapter options let you use your lenses with different bodies. Work out the right adapter for your set with the MediaCast team.
Thypoch’s M-mount adapters let you use your Leica M lenses on Sony E, L-mount, Nikon Z and Canon RF bodies; they are made of aluminum and stainless steel. For the cinema side there is also an ARRI-M version made of stainless steel.
From mirrorless bodies to professional cinema camera rigs — for multi-system use spanning Sony, Canon, Nikon, Panasonic, RED and ARRI systems, let’s plan your lens, mount and adapter combination together. The MediaCast team recommends within one business day.
The features that turn an image from an ordinary recording into a signature — the point where classic design thinking meets modern mirrorless systems.
Thypoch lenses carry the classic cinema aesthetic to modern bodies. A distinctive character is felt in every frame — an image language beyond digital sharpness.
High resolution is balanced by natural colour transitions. The result: an image that is technically strong yet not characterless — distinctive.
Thypoch combines the tradition of craftsmanship with modern optical engineering. A timeless aesthetic is felt both in the image and in the lens itself.
The Simera has infinity-lock or crescent-shaped focus tab options, a tactile resistance point at 0.7m on the focus ring and a retro 1950s-style depth-of-field scale. For those who want autofocus, the AF Voyager 24-50mm f/2.8 offers a Sony E option.
The “Sun” and “Moon” markings on the Simera’s aperture ring switch instantly between clicked (photo) and de-clicked (video) modes. Fourteen to sixteen cinema-grade aperture blades produce a soft, dreamy bokeh.
From the Simera series to the AF Voyager, Thypoch lenses are designed for full-frame systems. Leica M, Sony E, Nikon Z, Fujifilm X and Canon RF mount options cover a wide range of bodies; the Simera is fully mechanical and has no electronic contacts.
With its collapsible body the Eureka 50mm f/2, and at 27mm long and 131g the Ksana 21mm f/3.5 ASPH, offer portability without compromising aesthetics.
Thypoch lenses are used across six main shooting areas.
A light, unobtrusive set with the compact Simera-C variants and the 131g Ksana pancake. Classic aesthetics meet the natural rhythm of the street.
The Simera series’ natural colour transitions and high resolution convey real stories without making them characterless. The AF Voyager adds flexibility on Sony E bodies.
With their classic cinema aesthetic and distinctive character, Simera primes are for directors who want to build a visual language.
The natural colour transitions and character of full-frame manual primes preserve the subject’s texture in portraits.
The collapsible Eureka 50mm f/2 and the 27mm-long Ksana offer full-frame image quality while taking up almost no room in the bag.
The AF Voyager 24-50mm f/2.8’s autofocus and constant aperture provide a fast, flexible workflow for everyday shooting.
One lens family, different shooting styles — choose your style and see the right lenses.
A light, unobtrusive set with character: compact bodies, natural colour transitions and, when needed, a pocket-sized pancake.
The Simera-C series carries the Simera character in compact bodies.
Ksana 21mm f/3.5 ASPH — 27mm long, 131g, Leica M.
Natural colour transitions and high resolution convey real stories as they are.
The classic cinema aesthetic and a distinctive character — manual prime discipline for productions that want to build a visual language.
Simera series — full-frame manual primes that carry the classic cinema aesthetic.
Leica M or mirrorless mount options, to suit your body preference.
Eureka 50mm f/2 — collapsible vintage style, Aluminum and Brass editions.
A fast, flexible and practical set: autofocus zoom up front, compact primes alongside.
AF Voyager 24-50mm f/2.8 — a full-frame autofocus zoom for Sony E.
Minimum focus distance 30cm — don’t hold back on detail shots.
The compact Simera-C variants carry the Thypoch signature without taking up room in the bag.
Oğulcan is MediaCast’s Thypoch specialist — from the Simera signature series to the compact Simera-C, from the Eureka vintage to the Ksana and Voyager.
Tell Oğulcan about your camera and how you shoot. The right lens is matched to your character, mount and budget — and you can mount and try lenses at MCX Istanbul before buying.

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